A barber gives in to temptation and steals some money, leading to blackmail and murder.

It's 2008. A news story connects Malena, 22, with her traumatic past. In 2004, she attended a rock concert at the República de Cromañón venue, where a fire broke out, and 194 young people died. Now, four years later, a new event will link her to past loves and friendships, helping her overcome the guilt she feels for being alive.

Enquiries into the murder of a young woman take the private investigator Peter Keller to the idyllic village of Schwant in Emmental. But, the more entangled Keller gets in the treads of the apparently clearcut case of sex murder, the more obvious the flaws in the village idyll become. Keller's quest turns into a deadly mission.

The blood flows and the fur flies in Coons! Night of the Bandits of the Night from director Travis Irvine and Overbite Productions! In this hilarious horror spoof, a group of wild college kids arrive at Raccoon Creek Campgrounds with hopes for a summer full of good times, ample booze and hot pre-marital sex! But a pack of hungry raccoons, no longer content to scavenge through the garbage for their food, arrive to put a stop to the debauchery with their vicious dispositions and ravenous appetite for human flesh! As the bodies pile up, only two young lovers, with the help of a crusty hippie hermit and a bumbling park ranger, can stand up to the murderous masked menace and save the summer for drunken teenagers everywhere!

Set the Thames on Fire follows struggling piano player Art (Michael Winder) and compulsive liar Sal (Max Bennett) as they embark on a string of ludicrous escapades through a dystopian London, ruled over by a grotesque and tyrannical Impresario. 　　On their adventures they encounter a deranged Magician, played by performance artist David Hoyle, an anarchist witch (Phillips) and the Impresario’s twisted right-hand man (Fielding) leading to a final showdown with the despotic ruler himself.

Set the Thames on Fire follows struggling piano player Art (Michael Winder) and compulsive liar Sal (Max Bennett) as they embark on a string of ludicrous escapades through a dystopian London, ruled over by a grotesque and tyrannical Impresario. 　　On their adventures they encounter a deranged Magician, played by performance artist David Hoyle, an anarchist witch (Phillips) and the Impresario’s twisted right-hand man (Fielding) leading to a final showdown with the despotic ruler himself.

Concrete objects and spaces of remembrance are poised against the ephemeral, the unarchivable. We see a sense memory of an archive in the act of destroying itself. The sun magically settles between the crevice of two trees; an obsessive lens roams across broken and partially burned fragments; fire flickers through glass, water, and finally consumes the frame. (Anna Hogg)

Isaac Geldhart is a Holocaust survivor who, overcome by grief at the recent death of his wife, seems determined to run his publishing firm into the ground by printing books that have no hope of financial success. His son Aaron, who also works at the company, grows frustrated with Isaac's emotional decline and attempts to take over the firm. The resulting crisis involves Isaac's other two children, his daughter Sarah and his dying son Martin.

Isaac Geldhart is a Holocaust survivor who, overcome by grief at the recent death of his wife, seems determined to run his publishing firm into the ground by printing books that have no hope of financial success. His son Aaron, who also works at the company, grows frustrated with Isaac's emotional decline and attempts to take over the firm. The resulting crisis involves Isaac's other two children, his daughter Sarah and his dying son Martin.

On the eve of her 19th birthday, Nina finds out that she has been cursed since ancient Roman times by Emperor Justinian. She carries a plague that can wipe out the human race. The Book of Fire reveals that Nina can choose to live and infect millions, or avoid the fate by spending eternity in purgatory. She has three days to decide, and so Nina has no choice but to make her own destiny.